The movie follows the original tale in a somewhat loose fashion, but manages to retain the majority of the images and action.
　　A seminary student must survive three nights in prayer guarding the deceased witch maiden while she, along with an army of hellish demons, try to lure him out of his Holy Ring of Chalk.

　　A group of Czech artists choose to ignore the realities of Nazi occupation in this brooding experimental war drama. When a pretty female refugee comes to town seeking help, she awakens the sexual desires of all the men, but the only one who helps her is a sympathetic sculptor. When she is allegedly killed, the man sends the artists who refused to aid the woman death masks of the victim. All later conclude that the woman was not mortal.

　　马龙·白兰度、索菲亚．罗兰等合演。描述一名美国富豪乘邮轮回美国，途经香港时，一名落魄的白俄女伯爵潜入其房间，意图偷渡美国，结果让富豪发现，二人经谈论之后共随爱河。此为喜剧大师查理．卓别林最后一部作品，亦是他唯一的彩色片，成绩虽然较其代表作失色得多，但仍维持颇高的喜剧效果，而且拍出了一点人情味。可惜男女主角选择不当，趣味性打了折扣。

　　主角悍女Katarina出名泼辣，生男勿近，而她的妹妹Bianca却是一位温柔娴婌的万人迷。做父亲的惨成祸心，或许受不了大女儿Katarina的气焰凌迟，他居然徇私剥夺妹妹谈恋爱的自由，直至姐姐嫁得出为止。那些倾慕妹妹的众生皆因此头疼，苦思后度出一计，就是找一隻替死鬼娶姐姐。Katarina性格暴躁、脾气倔强，找不到任何一个敢娶她的男人，在心不甘情不愿的情况下，她嫁给了高大结实的大胡子男人Petruchio。Petruchio一心要把Katarina训练成百依百顺的好妻子，所以他采取了“以暴制暴”的方式，最后终于驯服了Katarina的一身傲骨。
　　Franco Zeffirelli's adaptation of William Shakespeare's play about love and marriage. Shy Bianca and mean-spirited Katarina, are two daughters of the rich merchant, Baptista. Though Bianca is being courted by a number of young men, Baptista announces that she may not marry until Katarina is wed. None of the men in town are willing to marry Katarina, so Bianca remains unwed, until a scoundrel called Petruchio appears.

　　十二年前，一位美若惊鸿的唱诗班少女乔安娜·华莱士（奥黛丽·赫本 Audrey Hepburn饰），一个努力上进的建筑师马克·华莱士（阿尔伯特·芬尼 Albert Finney饰），以及一段浪漫的完美邂逅。十二年后，他们却不得不开始面对两人间存在的严重婚姻危机。从一见钟情到热恋结婚，从当年的信誓旦旦到如今的同床异梦，十二年来的婚姻生活恍如隔世。为了挽救他们之间濒临破裂的夫妻关系以及名存实亡的爱情，乔安娜与马克开始了环游法国的寻爱之旅。
　　由斯坦利·多南执导，奥黛丽·赫本、阿尔伯特·芬尼携手主演的爱情喜剧电影《丽人行》，以大量意识流优美的倒叙镜头，勾勒出了两人十二年的情感历程。本片荣获1968年第40届奥斯卡金像奖最佳原创剧本提名、音乐喜剧类最佳女主角提名以及1968年第25届金球奖最佳电影配乐提名。

　　剧情讲述维多利亚时代的英国乡村，兽医杜立德医生能够与野兽谈话，但被别人以此为由关进了精神病医院。他逃出后，与朋友一起到南海寻找珍奇异兽。

　　"The Witch Burnt Alive"
　　After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous.
　　"Community Spirit"
　　Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through.
　　"The Earth Seen from the Moon"
　　The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific.
　　"The Sicilian"
　　Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories.
　　"A Night Like Any Other"
　　Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.

　　鬼马友罗伯特·莫斯手把手教育老实伯沃尔特·马修如何有效且安全地出轨，找外遇，说一大堆真人实例后，意欲着手实施，却不料翻车

　　来到巴黎办事的于勒先生（雅克·塔蒂 Jacques Tati饰）初入巴黎就被超级现代化的世界博览会大楼所震惊。于勒先生很快就迷失在这座叹为观止的高科技大楼中，精妙绝伦的最新先进设备、流光溢彩的博览会景观以及来自世界各地的游客和顾客，都让于勒先生大开眼界。当于勒先生终于想起要去找办事的人时，天已渐黑。谈完公事，于勒先生来到了刚刚装修好的夜总会。午夜魅影，恍如白昼，里面的男男女女兴致正高。自然，于勒先生也加入了他们的狂欢队伍。于勒先生更一时兴起，把刚刚装修好的屋顶装饰弄了下来，屋内一片狼藉。怎知客人们非但没有觉得扫兴，反而玩得更加疯狂。旦夕之间已是清晨，狂欢一夜后的巴黎别有一番韵味。
　　由法国著名喜剧导演雅克·塔蒂自编自导自演的喜剧影片《玩乐时间》，用一种接近单色的色调和70毫米的巨大画卷，将钢筋玻璃世界的冷酷转化成格格不入的超现实影像。本片几乎没有对白，但巧妙的运用了音效，加上演员肢体动作的表现，有着较为浓厚的早期默片风格。

　　艺术品收藏家艾德琳（帕特里克·波查 Patrick Bauchau 饰）来到朋友丹尼尔（Daniel Pommereulle 饰）的海边别墅度假，在这里，他遇见了漂亮的女孩海蒂（哈蒂·波丽托弗 Haydée Politoff 饰）。丹尼尔告诉艾德琳，海蒂是个生活作风颇为开放的女孩，有许多个风格迥异的男友，艾德琳和朋友在背后戏称她为“收集男人的女人”。艾德琳崇尚健康、自然、克制的生活方式，这样的他自然瞧不起海蒂的放浪形骸，但同时，他发现自己又总是不经意的注意着海蒂，这个女孩的一举一动能够轻易的牵动他的情绪，并且，海蒂似乎对自己也心怀好感。没想到，海蒂选择的居然是自己的好友丹尼尔，这让艾德琳心里很不是滋味，他离开别墅回归到自己的生活，却仍然和海蒂保持着藕断丝连的关系。在法国这个热情浪漫的城市里，一对男女对待感情兜兜转转遮遮掩掩，艾德琳是否会成为海蒂的下一个“收藏品”呢？

　　Armed with a "How to..." manual, an ambitious window washer seeks to climb the corporate ladder.

　　专事研究吸血鬼的阿布荣西尤斯教授（Jack MacGowran 饰）为了猎杀恐怖的吸血恶魔，带着助手阿尔弗莱德（罗曼·波兰斯基 Roman Polanski 饰）来到位于东欧的特兰西瓦尼亚山区。师生二人下榻在雪山脚下的一所旅店，旅店内挂满了大蒜，尤其老板沙戈（Alfie Bass 饰）女儿莎拉（莎伦·塔特 Sharon Tate 饰）的房间更是隆重。教授见此情形颇为欣喜，意识到自己找对了地方；阿尔弗莱德则迷上了美丽动人的莎拉。某个夜晚，莎拉突然被来自山顶的吸血鬼科若洛克伯爵（Ferdy Mayne 饰）掳走，次日沙戈也被吸血而死。为了拯救美丽的女孩，师生二人冒死上山，闯进鬼影幢幢的阴森古堡……
　　导演罗曼·波兰斯基通过这部影片与莎伦•塔特陷入热恋，次年二人完婚，但怀孕中的莎伦不久便为曼森家族残忍地杀害。